At the end of the nineteenth century Realism became a major movement in the arts. The best way to understand Realism is to see it in terms of what it is not. It does not require its audience to know artistic traditions in order to understand what is being presented to them. It does not use educated language or complex plot structures that play well on the stage but that do not reflect the ways that people in life actually speak and act. Chekhov is often associated with Realism, especially in his short stories. Early audiences found this degree of reality to be confusing, because it meant that the characters in his plays seemed to just stand around and talk about whatever came to mind. The structure and language of his work is less obviously "artistic" than it is in traditional drama, providing audiences with fewer clues but leaving a stronger impression on those who figure out the play's meaning for themselves.