By assigning human attributes to inanimate things, Kunitz personifies both technology, as in the bulldozers, and nature, as in the trees and plants. The nineteenth-century art critic John Ruskin took a dim view of making human the inhuman and termed this literary device "pathetic fallacy." Ruskin believed the primary criterion of art and literature is truth, and saw in personification a form of literally lying about the appearance of things. Ruskin's criticism, however, is dismissed by many, and the use of personification, in all genres of literature, continues.