Though Someone to Talk To is by no means a comedy, Eisenberg uses humor throughout to leaven its weighty themes. Sometimes the humor is more subtle, as in her wry description of Shapiro's piano students: startlingly untalented children who at best thought of the piano as a defective substitute for something electronic. In her description of the relentlessly chipper Caroline, she writes, He'd once overheard her saying thank you to a recorded message. Later, Eisenberg describes Shapiro's performance of the concerto, once hailed as affirming, as a great, indestructible, affirming block of suet.