Within the story, there are definite distinctions between classes of people. At the top are wealthy elite who support the arts, such as Penwad and his wife, and the hostess of Shapiro's reception. Penwad's discomfort in dealing with Shapiro indicates that he considers him a step below him on the class scale, perhaps because Shapiro is Jewish, or simply because he is a musician, and not a particularly prominent one. Beale, with his odd way of dressing and his slovenly manners, is clearly lower on the scale than Shapiro, so low that even the son of Shapiro's hostess has no qualms about insulting him to his face. At the very bottom of the scale are the native Indians, whom the elite consider so insignificant they never even mention them directly, even though they encounter them often as servants. Only Joan refers to them at all, and she calls them those people.