Emotion and feeling are recurring ideas. In keeping with an emphasis on the individual self, the romantics valued emotion, intuition, and feeling over logical abstraction. They sought "the sublime," a state of being in which a person was simultaneously awed, frightened, and filled with a sense of majesty and wonder. A poet's response to a wild, remote, and grandiose spot in nature often invoked the sublime, as did the immense night sky, gigantic geological upheavals, and vast castles. Romantics also relied on their intuitive sense of thingsas opposed to physical factsto interpret the world. If a writer sensed the presence of the divine in a natural spot, for example, the reality of this presence was not questioned, but accepted as a given because the person had felt it.