The author notes that in Euripides' play Medea, justice and vengeance take a shocking form. To punish her husband for forsaking her, Medea raises the idea of murdering their children. Her passion for revenge is so strong that, despite a long monologue in which she questions this choice, Medea decides this is the right action to take. Medea's inner conflict is what raises her to the status of tragic heroine. She closes her inner debate with these words: "Though I understand what sort of evil I am going / to do, still, heart is stronger than what I have / thought out, this heart that causes humankind's / greatest evils." Medea thus recognizes that the action she is taking is governed by the need for human vengeance, not by the desire to correct injustice. Also interesting is that, though the children suffer for the wrongdoings of their parents, it is not because of inherent guilt, so Medea reverses the idea of hereditary guilt that was such a crucial part of the Oresteia.
Greek Drama