The war between the sexes in this dramatic comedy is played with wit and artistry, treachery and complex design, tenderness and teasing, passion and charm, and, above all, precise timing. In Congreve's play, it is safe to say that in this particular struggle—the high stakes of which are love, money, and social survival—men and women are equally proficient and powerful. Gender behavior is proscribed within the limits of social convention. Thus male and female attitudes and actions are expected to be very different and those differences are to be strictly maintained. The prenuptial "negotiation" scene between Mirabell and Millamant amusingly yet sincerely establishes the rules by which the couple will manage their marriage, preserving independence and privacy as well as intimacy and love. While the conditions of their agreements seem petty at first glance, it is clear that they reflect prohibitions against the "evil" tendencies of each sex. The bottom line is that Millamant will not be unduly dominated or possessed by her husband and her husband will not be vexed with the wiles of intrigue or the vain fashions of the time. It is a good exchange: it preserves the respect of each party as well as the distinctions and charms perceived to be natural and unique to men and women. Mirabell and Millamant's union is certainly intended as a corrective to the deceitful adultery of Fainall, the pathetic loneliness of Lady Wishfort, and the emptiness and debauchery of the life of the dandy.